4 Clowns

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7.5

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Robert Youngson once again compiles scenes from the golden age of comedy's silent film era. Laurel and Hardy are shown battling a gum machine, and Hardy is a debaucherous Romeo whose amorous plans are thwarted by Rex, the Wonder Horse. Charley Chase is hampered by hiccups and a female professor, and he fleeces a drunken Oliver Hardy with a mannequin in a nightclub. The third part finds bachelor Buster Keaton desperately trying to get married by 7:00 PM in order to collect a $7-million-dollar inheritance. Keaton is pursued by money-hungry prospects in one of the best chase scenes ever filmed. Narration is provided by Jay Jackson.

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Budget

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01-09-1970

Release Date

US

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7.5

Rating

2

Votes

-

Age Rating

97 min

Runtime

Released

Status

English

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Director
Robert Youngson

Robert Youngson

Robert Youngson (November 27, 1917 – April 8, 1974) was a film producer, director, and screenwriter, specializing in reviving antique silent films. Robert George Youngson, born in Brooklyn, New York, graduated from Harvard University with a master's degree in business administration. He entered the film business in 1941, writing newsreel scripts. In 1948 Warner Bros. hired him to produce a series of short subjects about sports. Most of these were straight roundups of current sporting events, but in some of them Youngson indulged his fascination with antique newsreels of the 1920s, and included vintage sports footage in the new productions. This led to Youngson writing and producing a long series of historical short subjects for Warners, two of which won him Academy Awards. Most of these films took an affectionate look back at the fads and lifestyles of the 1920s. Youngson's narration was nostalgic in tone, unlike the facetious commentaries that usually accompanied silent-film revivals like Gaslight Follies (1945) and Warners' compilations of Mack Sennett comedies. Youngson also produced a feature-length documentary for Warners, Fifty Years Before Your Eyes (1950). Warners discontinued live-action short subjects in 1956 and released Youngson, forcing him to work as an independent producer. He assembled a full-length feature of silent-comedy highlights, The Golden Age of Comedy (1958). This was a triumphant success, earning rave reviews from national columnists and receiving network exposure on TV talk shows. He followed this with When Comedy Was King (1960) and six more vintage-comedy anthologies, the last being released in 1970.
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