Alyonka

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Set in 1955 when many migrated from Russia to the Steppes of Kazakhstan, this is the trip back to the Canal from the frontier and farms by a number of people who tell their settler stories. Alenka Muratova (Ovodova) is a winsome 13 year old who talks Dmitry Prokovich, the chief mechanic for the Soviet, into giving up his seat in the truck to a young mother with her infant daughter. Then Alenka and Dmitry share the back of the open truck with a young woman, newly graduated dentist who has not been able to find a position, Stefan, a hitchhiker with a dog who hopes his upper-class wife will return to him and the countryside, and Vasselina Petrovolka, a woman who lost one of her twin daughters in a riding accident by the river shortly after they arrived, and now is returning to tell the other twin of her sister's fate. A warm hearted look at common folks traveling in the frontier.

Boris Barnet

Director

No information

Producers

$0

Budget

$0

Revenue

22-03-1962

Release Date

SU

Country

5.3

Rating

10

Votes

-

Age Rating

86 min

Runtime

Released

Status

Russian

Language

Popular actors
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Director
Boris Barnet

Boris Barnet

From Wikipedia, the free encyclopedia Boris Vasilyevich Barnet was a Soviet film director, actor and screenwriter of British origin. He directed 27 films between 1927 and 1963. Boris Barnet was born in Moscow. His grandfather Thomas Barnet was a printer who moved to the Russian Empire from Great Britain back in the 19th century. A student of the Moscow Art School, he joined the Red Army at age 16 and was then professionally involved in boxing. In 1927 he shot his first feature, a comedy film, The Girl with a Hatbox, starring Anna Sten. His 1928 melodramatic film The House on Trubnaya, starring Vera Maretskaya, was rediscovered in the mid-1990s and now ranks as one of the classic Russian silent films. Encouraged in his early efforts by Yakov Protazanov, Barnet emerged in the 1930s as one of the country's leading film-makers. Amongst Barnet's masterpieces, we find Outskirts (1933), a pacifist story acclaimed at the first Venice Film Festival. Barnet's postwar work is exemplified by Secret Agent, the first Soviet spy film. The Stalin Prize-winning film was also years ahead of its time in exhibiting Hitchcockian influence and tricks and helped cement Barnet's reputation abroad. It was Barnet's gift of artistic invention that made him stand out from the crowd of Soviet colleagues. In a Barnet film, a photograph in the newspaper would unexpectedly come alive, and scenes would often end with a detail introducing the next scene. He would begin a scene with a close up, "so that the space is progressively discovered by changing the axis or by camera movement". Among Russian filmmakers professing their admiration for Barnet was Andrei Tarkovsky. After some years of artistic silence Boris Barnet committed suicide in Riga, Latvian SSR. His body was found hanging from a fishing line. He was survived by wife Alla Kazanskaya and daughter Olga Barnet.
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