Arsène Lupin Returns

5.8

THE PERFECT CRIME, almost! Murder to cover a jewel-theft...exposed by G-Men Guns!

A woman and a man vying for a woman's affection: the usual love trio? Not quite so since the belle in question is Lorraine de Grissac, a very wealthy and alluring society woman, while one of the two rivals is none other than Arsène Lupin, the notorious jewel thief everybody thought dead, now living under the assumed name of René Farrand. As for the other suitor he is an American, a former F.B.I. sleuth turned private eye by the name of Steve Emerson. Steve not only suspects Farrand of being Lupin but when someone attempts to steal a precious emerald necklace from Lorraine's uncle, Count de Brissac, he is persuaded Lupin is the culprit. Is Emerson right or wrong? Which of the two men will win over Lorraine's heart?

$0

Budget

$0

Revenue

25-02-1938

Release Date

US

Country

5.8

Rating

7

Votes

-

Age Rating

81 min

Runtime

Released

Status

English

Language

Popular actors
Media

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Director
George Fitzmaurice

George Fitzmaurice

From Wikipedia George Fitzmaurice (13 February 1885 – 13 June 1940) was a French-born film director and producer. Fitzmaurice's career first started as a set designer on stage. Beginning in 1914 until his death in 1940, he directed over 80 films, including several successful movies such as The Son of the Sheik, Raffles, Mata Hari, and Suzy. At the beginning of his directorial career, Fitzmaurice was astute at directing stage actresses in their initial films with the first wave of great Broadway stars that migrated to motion pictures during the World War I era, including Mae Murray, Elsie Ferguson, Fannie Ward, Helene Chadwick, Irene Fenwick, Gail Kane, and Edna Goodrich. Son of the Sheik is his most famous extant silent film, no doubt aided by the sudden death of its star, Rudolph Valentino. Lilac Time is a classic war/romance film. Fitzmaurice however directed scores of silent films of which the majority of them are lost to the ravages of decompostion. Recent discoveries in Gosfilmofond in Russia include 1919's Witness for the Defense with Elsie Ferguson and 1923's Kick In with Bert Lytell. A restoration of his 1928 part talkie hybrid The Barker is winning praise from many film buffs. Rumours of other Fitzmaurice films in Gosfilmofond include 1920s Idols of Clay (with Mae Murray) and Three Live Ghosts with Norman Kerry, Anna Q. Nilsson, Cyril Chadwick, and Edmund Goulding.
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