Cacheu

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In Cacheu, Filipa César once again applies the economic technique of using a single shot – letting a 16mm film roll to the end – without editing. Here, the montage is a process that takes place before shooting, so that the image produced is the result of a performative assemblage between text, acting, projected image and framing by the cameraman and director of photography, Matthias Biber. A lecture, performed by Joana Barrios, brings together elements of César’s research on four colonial statues, which are stored today at one of the first establishment for slave trade in the West African country of Guinea Bissau – the Cacheu fortresses, constructed by the Portuguese in 1588.

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01-01-2012

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10 min

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Director
Filipa César

Filipa César

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Since 2011, César has been researching the origins of cinema in Guinea-Bissau, developing that research into the collective project Luta ca caba inda (The struggle is not over yet). She was a participant of the research projects Living Archive and Visionary Archive, both organised by the Arsenal - Institute for Film and Video Art, Berlin. Her last film MANGROVE SCHOOL (2022), co-directed with Sónia Vaz Borges, was selected at Cinéma du Réel.
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