Crazy Love

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Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

$0

Budget

$0

Revenue

01-01-1971

Release Date

BR

Country

5

Rating

3

Votes

-

Age Rating

85 min

Runtime

Released

Status

Portuguese

Language

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Director
Júlio Bressane

Júlio Bressane

Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian cinema marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.
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