Dis-Ease

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DIS-EASE is a feature-length documentary about how we imagine disease, and how that affects what we do when we encounter illness, outbreaks, doctors, treatments, and disability in real life. It dives deep into the weird, wild archives of medical imaging, public health messaging, and pop-culture outbreak narratives to understand how ideas have moved between science, science fiction, and political ideology over the past century. (Yes, this is a film that covers both antibiotic resistance and the persistence of zombie apocalypse films.) Ultimately, DIS-EASE is a provocation to re-think how we define both the "public" and "health" in public health - who is included, what counts as care, and what it means to be sick or well in a world perpetually on the brink of collapse.

$630,000

Budget

$0

Revenue

01-08-2024

Release Date

US

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120 min

Runtime

Released

Status

English

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Director
Mariam Ghani

Mariam Ghani

Mariam Ghani’s films, public projects, and installations have been presented and collected worldwide, notably in Times Square and the new Terminal C at LaGuardia Airport; the Guggenheim, Smithsonian, MoMA, and Metropolitan Museums; Documenta 13 and the Liverpool, Lahore, Gwangju and Sharjah Biennials; and the Rotterdam, CPH:DOX, Sheffield Doc/Fest, SFFILM, DOC NYC, and Ann Arbor film festivals, among others. Ghani’s first feature, the critically acclaimed documentary WHAT WE LEFT UNFINISHED, premiered at the 2019 Berlinale, was released theatrically in the US by Dekanalog, and had its streaming premiere on the Criterion Channel. It is in educational distribution with Good Docs, international distribution with Arsenal, and currently streaming on Docuseek and Ovid. Ghani’s most recent short, THE FIRE THIS TIME, was commissioned by Field of Vision and screened at BAMcinemaFest, BlackStar and Ji.hlava IDFF in 2022. Her most recent multi-channel installation, WHEN THE SPIRITS MOVED THEM, THEY MOVED, is in the permanent collection of the Smithsonian American Art Museum. Ghani teaches film/video at Bennington College and co-produces her work through the company Indexical Films.
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