Don’t Shoot the Composer

no information on the tagline

DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.

Ken Russell

Director

No information

Writers

Ken Russell

Producers

$0

Budget

$0

Revenue

09-01-1966

Release Date

US

Country

-

Rating

-

Votes

-

Age Rating

51 min

Runtime

Released

Status

-

Language

Popular actors
Media

View all media:

All Media

Нет информации по фоновой картинке

Медиа изображениеМедиа изображениеМедиа изображение
Director
Ken Russell

Ken Russell

Henry Kenneth Alfred "Ken" Russell (3 July 1927 – 27 November 2011) was an English film director. He is known for his pioneering work in television and film, and for his controversial style. He has been criticized as being over-obsessed with sexuality and the church. His subject matter is often about famous composers, or based on other works of art which he adapts loosely. Russell began directing for the BBC, where he did creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios. He is best known for his Oscar-winning romantic drama Women in Love (1969), the notoriously controversial The Devils (1971), the rock musical Tommy (1975), and the science fiction film Altered States (1980). One noted admirer, British film critic Mark Kermode, attempting to sum up the director's achievement, called Russell; "somebody who proved that British cinema didn't have to be about kitchen-sink realism – it could be every bit as flamboyant as Fellini. He now makes very strange experimental films like Lion's Mouth and Revenge of the Elephant Man, and they are as edgy and out there as the work he made in the 1970s."
Related Movies

There are no similar films yet.

You might like it

There are no recommended films yet.