État d'urgence

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10.0

The richness of our difference is in this film.

A young Russian comes to Paris to meet up with his lover, but he seems to have already found a new friend. Alone in Paris, Anton has loads of adventures: a quest for powerful love and shared pleasure. But the guys that he meets pass him round after having used and abused him! These boys have an urgent need to live and make love, to face up to jealousy and betrayal. They must face their homosexuality and their families.

$0

Budget

$0

Revenue

01-01-1998

Release Date

FR

Country

10

Rating

1

Votes

-

Age Rating

95 min

Runtime

Released

Status

French

Language

Popular actors
Media

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Director
Jean-Daniel Cadinot

Jean-Daniel Cadinot

Jean Daniel Cadinot (February 10, 1944 – April 23, 2008) was a French photographer, director and producer of gay pornographic films. Cadinot was born during World War II, in German-occupied Paris, in the Montmartre hill area of the Batignoles Quarter. His parents were tailors who custom fit clothes.Cadinot later remarked that while his parents had clothed men, he earned his reputation for undressing them. As a teenager, Cadinot hoped to become a painter and, due to parental opposition, ran away from home at the age of 17. In the early 1960s, he studied at École des Arts et Métiers and at the National School of Photography. He then began his professional career at Valois Studios, where he directed mainstream films for French-speaking audiences. He first pursued a career in photography, which took on a homosexual angle with his nude portrait of writer Yves Navarre and singer Patrick Juvet. His erotic photographs appeared in the first edition of Gai Pied. He began to sell nude photographs and finally moved to directing movies in 1978. By then, he had published 17 photo albums, with total sales of over 170,000 copies. Setting up his own production company, French Art, Cadinot made dozens of 16 mm films. Characteristic of Cadinot's films was an emphasis on plot, much more so than in typical porn films. His plots were often based originally on incidents from his own life, but he was known for adjusting the plot during filming to incorporate experiences of his actors. He insisted on realism in his films, especially in sex scenes, saying that the actors "do not portray things that are imposed on them by me, but things they like to do themselves". From Wikipedia, the free encyclopedia
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