Eve-Ray-Forever

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EVE-RAY-FOREVER is a silent, three-screen expanded version of COSMIC RAY (1961). Originally exhibited as an 8mm Technicolor looped installation at the Rose Art Museum in 1965, it was digitally restored in 2006 by Conner in close collaboration with his editor, Michelle Silva. By combining three channels of footage of slightly different lengths, EVE-RAY-FOREVER generates an ever-changing, chance-based juxtaposition of images that flash on the screen with dizzying speed. The film’s name reflects the tripartite structure of the work, with “Eve” referring to the nude woman who appears on the far left channel, “Ray” to Ray Charles, the inspiration for COSMIC RAY, and “Forever” signifying its looped playback, which allows the work to play and mutate continuously.

Bruce Conner

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US

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4 min

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Director
Bruce Conner

Bruce Conner

Bruce Conner (November 18, 1933 - July 7, 2008) was an American artist renowned for his work in film, drawing, sculpture, painting, collage, and photography, among other disciplines. He first attracted public attention in the 1950s with his nylon-shrouded assemblages—complex sculptures of found objects such as women's stockings, costume jewelry, bicycle wheels, and broken dolls, often combined with collaged or painted surfaces. Simultaneously during the late 1950s, he began making short movies in a singular style that has since established him as one of the most important figures in postwar independent filmmaking. He used an innovative technique that can best be seen in his first film, "A MOVIE" (1958), which was created by piecing together scraps of B-movies, newsreels, novelty shorts, and other preexisting footage. His subsequent films are most often fast-paced collages of found and new footage, and he was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers and are now considered to be the precursors of the music video genre.
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