FF (aka Fuck Face)

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5.7

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FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.

Julie Murray

Director

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Writers

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Producers

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Budget

$0

Revenue

02-01-1986

Release Date

US

Country

5.7

Rating

5

Votes

-

Age Rating

10 min

Runtime

Released

Status

-

Language

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Media

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Director
Julie Murray

Julie Murray

Julie Murray is an Irish born artist, film and video maker living in the US. Drawing on her background in the Fine Arts, filmmaker Julie Murray makes short experimental works in digital and film media which are poetical in nature, engaging the textural imprints and limits of the form as an essential element of pictorial content. Her film and digital works have been exhibited at numerous national and international venues including the New York Film Festival, the Hong Kong International Film Festival, the International Film Festival Rotterdam, the London Film Festival and the Flaherty Film Seminar. Her work was featured in the 2004 edition of the Whitney Biennial and her films are part of the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art. Her films are also contained in a number of University library collections in the US and are archived at the Academy of Motion Picture Arts and Sciences Film Archive in Los Angeles. Murray has presented her work at venues including REDCAT (Los Angeles), Anthology Film Archives (NY), Media City Film Festival (ON), Pacific Film Archives (CA), Los Angeles Filmforum, the San Francisco Cinematheque, Cinematheque Ontario in Toronto and at the Irish Film Institute, Dublin. Murray’s early super-8 films were selected for a National Film Preservation Foundation Award in 2014. She taught film production at University of Iowa in 2015-7 and will be a visiting artist at CalArts in Spring of 2019.
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