Four Moods

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Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

$0

Budget

$0

Revenue

08-10-1970

Release Date

TW

Country

6.8

Rating

11

Votes

-

Age Rating

140 min

Runtime

Released

Status

Mandarin

Language

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Director
Lee Hsing

Lee Hsing

Emigrated to Taiwan in 1948 during the Kuomintang retreat. Until 1962, Li worked primarily on Hokkien films, despite being unable to speak Taiwanese Hokkien. His first Mandarin film, was Our Neighbors. Oyster Girl, which Li co-directed with Lee Chia was the first Taiwanese feature film to be shot in color.
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