Giovanna D'Arco

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Recorded live at Teatro Farnese during the Festival Verdi, 2 to 20 October 2016.

With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.

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01-01-2016

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US

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127 min

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Director
Peter Greenaway

Peter Greenaway

Peter Greenaway, CBE (born 5 April 1942) is a Welsh writer-director, painter, and video artist based in Amsterdam. Throughout the late 1960s and '70s, he produced several experimental documentary/mockumentary shorts while working as a film editor for the Central Office of Information. This early period culminated in "The Falls" (1980), a three-hour mockumentary indexing the strange effects of the VUE (the Violent Unknown Event) on 92 people whose names begin with the letters F-A-L-L. He made his dramatic feature film debut with "The Draughtsman's Contract" (1982), and throughout the 1980s directed a string of critically acclaimed and frequently controversial films: "A Zed & Two Noughts" (1985), "The Belly of an Architect" (1987), "Drowning by Numbers" (1988), and his best-known work, the vicious Thatcher-era satire "The Cook, the Thief, His Wife & Her Lover" (1989). In the 1990s, he directed the Shakespeare adaptation "Prospero's Books" (1991), controversial religious satire "The Baby of Mâcon" (1993), erotic drama "The Pillow Book" (1996), and "8½ Women" (1999), an homage to the films of Federico Fellini, a major influence on Greenaway. In the early 2000s, Greenaway embarked on the ambitious "Tulse Luper" project, a multimedia body of historical fiction revolving around the life of the eponymous fictional hero. In addition to novels, CD-ROMs, online material, and a touring exhibition, the project spawned a trilogy of feature films: "The Tulse Luper Suitcases, Part 1: The Moab Story" (2003), "The Tulse Luper Suitcases, Part 2: Vaux to the Sea" (2004), and "The Tulse Luper Suitcases, Part 3: From Sark to the Finish" (2004). The trilogy was followed by a fourth feature, "A Life in Suitcases" (2005), which abridges the Tulse Luper saga into a single film. Since the mid 2000s, Greenaway's film work has focused on idiosyncratic, heavily fictionalised biopics dedicated to some of his favourite artists: Dutch Golden Age painter Rembrandt van Rijn in "Nightwatching" (2007), Dutch Baroque engraver Hendrik Goltzius in "Goltzius and the Pelican Company" (2012), Soviet Russian filmmaker Sergei Eisenstein in "Eisenstein in Guanajuato" (2015), and Romanian-French sculptor Constantin Brâncuși in "Walking to Paris" (TBD). Greenaway has lived and worked in Amsterdam since the mid 1990s. He is married to artist Saskia Boddeke, with whom he has two children. He also has two children from a previous marriage to potter Carol Greenaway.
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