Happy He Who Like Ulysses

6.7

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For 25 years now, under the Provence sun, Antonin, a farmhand, has shared his work and everyday life with a horse named Ulysse. What a shock when Pascal, the farmer, tells him he has decided to sell Ulysse to a picador for being too old. Not only will he be separated from his faithful companion, but he is well aware too that the arenas of Arles mean death for Ulysse. Being unable to stand such injustice, Antonin runs away from the farm in the company of Ulysse. Together, they go through the Lubéron, the Baux de Provence, the Alpilles, the Crau and the Vaccarès. Yet, their journey is no pleasure cruise, specially when it comes to crossing National Road 7. After a visit to Marcellin, an old friend of his, Antonin sets off again with Ulysse, this time towards the Rhône River.

Henri Colpi

Director

No information

Producers

$0

Budget

$0

Revenue

08-07-1970

Release Date

FR

Country

6.7

Rating

21

Votes

-

Age Rating

90 min

Runtime

Released

Status

French

Language

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Director
Henri Colpi

Henri Colpi

Henri Colpi (French: [kɔlpi]; 15 July 1921 – 14 January 2006) was a French film editor and film director. Colpi graduated from the IDHEC in 1947. During 1950 to 1960, he edited films for such notable French New Wave directors as Agnès Varda and Georges Franju. Colpi directed the 1961 film Une aussi longue absence, which is well known for sharing the Palme d'Or at the 1961 Cannes Film Festival with Viridiana, directed by Luis Buñuel. Une aussi longue absence was written by Marguerite Duras, featured Alida Valli in a major role, and included music by Georges Delerue. It also won the Louis Delluc Prize in 1960. His second feature Codine was also screening in competition at the 1963 Cannes Film Festival, where Colpi won the prize for Best Screenplay. Colpi is also noted as a film editor with about 20 credits, including Alain Resnais' films Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1961). He edited André Antoine's forgotten film L'Hirondelle et la Mésange (The Swallow and the Titmouse) to a 79-minute feature that premiered in 1984. Antoine initially shot six hours of footage. In addition to directing, editing, acting, sound recording, and a variety of functions in the post-War years, he was featured in a French television series, L'Histoire du cinéma français par ceux qui l'ont fait (The History of French Cinema By Those Who Made It) in 1974, and he continued to work into the 1990s.
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