Heart Beats of Long Ago

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A feud existed between two Italian houses and it meant disaster to any one of the belligerents to intrude into the opposing house. The Lord of the house gives a feast in honor of the arrival of a wealthy foreign noble, whom he expects to make his son-in-law. The daughter, however, has given her heart to the son of her father's enemy. That he may be present at the festival, she surreptitiously takes her father's signet ring, throwing it to him from the window, which, of course, admits him. The father, anticipating the intrusion of his enemies, orders death to any member who enters the hall. After the festivities the unwelcome betrothal takes place and the forbidden lover braves death to see his loved one. While they are in clandestine meeting a guard is seen to enter the corridor so the girl hides her sweetheart in a secret closet, turning the key and taking it with her. Not finding the intruder, the guard imagines he was mistaken.

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06-02-1911

Release Date

US

Country

5

Rating

2

Votes

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Age Rating

14 min

Runtime

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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