His Eye Is on the Sparrow

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16mm/Digital, color/b&w/sound Bruce Conner began working on By and By a documentary about The Soul Stirrers several decades ago shooting their reunion concert with four cameras and accumulating interview material. Conner was poised to finish the piece in the mid-'80s but the project was abandoned for a variety of financial and personal reasons. From the ashes of this project arises a new collage film miniature completed this year. His Eye Is on the Sparrow takes its name from a classic gospel song written by Civilla D. Martin and Charles H. Gabriel in 1906 often associated with Ethel Waters , Mahalia Jackson and most recently Lauryn Hill. The Soul Stirrers cut their version in Chicago on October 10, 1946 and it is this recording that is heard on the track. Carefree and complex the song moves in tandem with a set of found images that seem utterly transparent yet are evocative of other mysteries just out of reach. - Mark McElhatten

Bruce Conner

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01-01-2006

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US

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1

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4 min

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Director
Bruce Conner

Bruce Conner

Bruce Conner (November 18, 1933 - July 7, 2008) was an American artist renowned for his work in film, drawing, sculpture, painting, collage, and photography, among other disciplines. He first attracted public attention in the 1950s with his nylon-shrouded assemblages—complex sculptures of found objects such as women's stockings, costume jewelry, bicycle wheels, and broken dolls, often combined with collaged or painted surfaces. Simultaneously during the late 1950s, he began making short movies in a singular style that has since established him as one of the most important figures in postwar independent filmmaking. He used an innovative technique that can best be seen in his first film, "A MOVIE" (1958), which was created by piecing together scraps of B-movies, newsreels, novelty shorts, and other preexisting footage. His subsequent films are most often fast-paced collages of found and new footage, and he was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers and are now considered to be the precursors of the music video genre.
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