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Griffith interweaves two tales of one family: A stern father rules his family by what he thinks to be the Bible's precepts, but it is simply the influence of his own narrow mind. Hence when his boy suggests going to a barn dance, he flies into a rage and commands that the boy remain at home. The boy, however, becomes rebellious and goes, and for this act of disobedience the father drives him from the house and forces the rest of the family to swear never to mention his name again. It's soon revealed that father does have a soft spot and misses the boy. Mary's not-so-bright suitor, the local smith, asks for her hand. When her brother does return to the old home to reconcile, Mary's partner believes her to be unfaithful.

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06-06-1912

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US

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12 min

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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