How the Work Is Done

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In 1956 a group of students of the Academy of Fine Arts in Cracow locked themselves inside the sculpture and ceramics workshop, transforming the venue of daily labour into a space of passive existence. In her quasi-documentary, Agnieszka Polska re-enacts the strike. Juxtaposing its inherent inaction, not far removed from an artistic performance, with animations showing the humdrum character of everyday creative work, the artist poses a question about the social effectiveness of the artists’ efforts. The film was awarded Grand Prix of the Minister of Culture and National Heritage in the 10th Geppert Competition (2011).

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31-08-2011

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US

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6 min

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English

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Director
Agnieszka Polska

Agnieszka Polska

Video Artist and photographer. Born in 1985 in Lublin, Poland, Lives and works in Kraków and Berlin. Agnieszka Polska creates video works employing mainly found material, such as archive photography and illustrations, which she subjects to subtle interventions, whether animating them or working them into the existing image. In the process, the artist changes their primary context, simultaneously creating illusions of documentation. She investigates the impact of documentation on its future reception. Her visually powerful explorations of lost times or half-forgotten figures of the Polish avant-garde, turn to how the past is fictionalised and re-worked. Her animated videos evoke a sense of melancholia, and a longing for something that perhaps never was, but which she makes real at least on film. In an interview with Art Review, Polska said that, 'Slow, unnaturally calm movements are present in most of my videos. I mainly work with animated film so a meditative, contemplative quality is present also in the process of production, which is very important for me. Each project needs a lot of time and concentration (for viewer and maker)'.
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