I Love You Catalina

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5.0

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An unseen person enters a taxi late at night. Suddenly the taxi driver is stabbed with a large metal knitting needle. From there we meet our female killer. Catalina is a very plain Jane looking young lady. She wears some geeky glasses and usually dresses very conservatively. She lives with her grandmother and they both seem to loathe men. Catalina’s grandmother mentions that her late daughter/Catalina’s mother was troubled by men and that cost her her life. Catalina and her mother resemble each other. At night, Catalina awakens by the vengeful spirit of her mother to advise her to go out and kill men. The kind that only want to take advantage.

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Writers

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Budget

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Revenue

01-01-1986

Release Date

MX

Country

5

Rating

2

Votes

-

Age Rating

80 min

Runtime

Released

Status

-

Language

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Director
José Luis García Agraz

José Luis García Agraz

José Luis García Agraz (born 16 November 1952) is a Mexican film director. He was born in Mexico City in 1952. He studied at the Centro de Estudios Cinematográficos (or CUEC) at UNAM. His script Los supersabios was turned into an animated feature in 1975. He was assistant director to José Estrada in Maten al león (1975) and Los indolentes; to Julián Pastor in El esperado amor desesperado (1975) and La casta divina (1976); to Gonzalo Martínez in Del otro lado del puente (1977), and to Arturo Ripstein in La viuda negra (1977) and Cadena perpetua (1978). His first short film Háblame de Rita (1979), which he also wrote, was shown at the International Documentary and Short Film Festival in Bilbao. His second short Patricio (1982) received an Ariel award. It was also selected for the Festival Internacional de Nuevo Cine in Havana and once again the Bilbao short film festival. His other shorts include Saxofón (1987), Solamente una vez (1988), Ladrón de sábado (1990) and El último tren (1996). Along with Fernando Cámara, Toño Betancourt, Nerio Barbieris and Marcelo Llacarino, Agraz founded the film cooperative Kinam to realize his debut feature Nocaut, which he also wrote. Nocaut won the Ariel for best debut film. It also won the Heraldo and the Diosa de Plata awards. The film was shown at film festivals in Amiens, Madrid and New York City among others. Agraz followed up with a number of features, notable among which are Sueños de oro / Dreams of gold (a co-production between México and the USA, 1984); La paloma azul (a Japanese-Mexican co-production, 1989); and Desiertos mares (1993), which won him the best director prize at the Ariel awards in 1994. He repeated the feat in 2004 with El Misterio del Trinidad.
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