I Ought to Be in Pictures

Libby Tucker hitchhiked from Brooklyn to take Hollywood by storm. And her father by surprise.

Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face.

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Budget

$0

Revenue

26-03-1982

Release Date

US

Country

7.2

Rating

9

Votes

-

Age Rating

108 min

Runtime

Released

Status

English, Spanish

Language

Popular actors
Media

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Director
Herbert Ross

Herbert Ross

Herbert David Ross was an American actor, choreographer, director and producer who worked predominantly in the stage and film. Ross was born on May 13, 1927 in Brooklyn, New York, the son of Martha Grundfast and Louis Chester Ross, a postal clerk. At the age of 9, his mother died and his father moved the family to Miami and opened a luncheonette. In 1942, Ross' stage debut came as "Third Witch" in a touring company of Macbeth. The next year brought his first Broadway performance credits with Something for the Boys. By 1950, he was a choreographer with the American Ballet Theatre and choreographed his first Broadway production, the Arthur Schwartz-Dorothy Fields musical adaptation of A Tree Grows in Brooklyn. Ross's first film assignment came as an uncredited choreographer on Carmen Jones (1954). In the UK, he choreographed The Young Ones (1961) and Summer Holiday (1963), both starring Cliff Richard. Later, he worked with Barbra Streisand as choreographer and director of musical numbers for Funny Girl (1968). His film directorial debut came with the musical version of Goodbye, Mr. Chips (1969), made by MGM-British, with Peter O'Toole and Petula Clark. He went on to direct films involving ballet, such as The Turning Point (1977), Nijinsky (1980) and Dancers (1987). Other movies of critical acclaim followed in the 1970s and 1980s such as Neil Simon's adaptations of his own plays and film adaptations of Broadway productions through his last project, Boys on the Side (1995).
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