Il Mefistofele

5.0

Ken Russell's modern interpretation of Arrigo Boito's Il Mefestefele

Arrigo Boito's Il Mefestefele was first performed in 1868 and his most known work. In Ken Russell's modern interpretation presented by the Genoese Opera, it has Faust as an ageing hippy. He smokes marijuana and is tormented by his lost youth. Mephisto makes a bet with God that he can turn anyone to pagan life, even someone as innocent as Faust. From then on it is a battle of good against evil in a flamboyant, surreal display of primary colours, PVC costumes, nurses with swastikas, rocket trips, love and even characters dressed as Donald Duck and Mickey Mouse. Ken Russell said because the devil is always with us is his reason for the contemporary setting.

Ken Russell

Director

No information

Producers

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Budget

$0

Revenue

01-01-1989

Release Date

US

Country

5

Rating

1

Votes

-

Age Rating

137 min

Runtime

Released

Status

Italian

Language

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Director
Ken Russell

Ken Russell

Henry Kenneth Alfred "Ken" Russell (3 July 1927 – 27 November 2011) was an English film director. He is known for his pioneering work in television and film, and for his controversial style. He has been criticized as being over-obsessed with sexuality and the church. His subject matter is often about famous composers, or based on other works of art which he adapts loosely. Russell began directing for the BBC, where he did creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios. He is best known for his Oscar-winning romantic drama Women in Love (1969), the notoriously controversial The Devils (1971), the rock musical Tommy (1975), and the science fiction film Altered States (1980). One noted admirer, British film critic Mark Kermode, attempting to sum up the director's achievement, called Russell; "somebody who proved that British cinema didn't have to be about kitchen-sink realism – it could be every bit as flamboyant as Fellini. He now makes very strange experimental films like Lion's Mouth and Revenge of the Elephant Man, and they are as edgy and out there as the work he made in the 1970s."
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