Introduction to Filmmaking

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We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.

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01-01-2006

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30 min

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Croatian

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Director
Zlatko Sudović

Zlatko Sudović

Sudović, Zlatko, Croatian film director (Zagreb, July 20, 1929 – Zagreb, July 24, 2017). He graduated from the School of Cinematography in Zagreb (1949). Playwright in Zora-film and Jadran-film 1957–63, directed short films (about 25 in total) from 1963, among which The Bridge (1965) and City of Birds in the City of People (1973) stand out. Since 1969, he worked for Television Zagreb, for which he directed several teaching and educational films about Croatian writers (J. Kaštelan, M. Krleža, V. Parun, etc.) and the notable series Što je film? (1972–73; 1985–87). He edited the encyclopedic edition Zagrebački krug cartoon film (I–IV, 1978). Other notable films: Settlement on the Fifth Track (1966), Morning Chronicle (1967), People, Years, the Sea (1968), Wild Station Defiance (1969), Long Journey of Dobriša Cesarić (1976), Josip Vaništa (1977), Film Portrait of Miroslav Krleža (1978), Vigilante painter Marino Tartaglia (1979), Cathedral organist Anđelko Klobučar (1988).
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