Love And...

7.7

You can't define love by words alone.

People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.

Zhang Lu

Director

Zhang Lu

Writers

Oh Se-hyeon

Producers

$0

Budget

$0

Revenue

22-10-2015

Release Date

KR

Country

7.7

Rating

11

Votes

-

Age Rating

70 min

Runtime

Released

Status

Korean

Language

Popular actors
Media

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Director
Zhang Lu

Zhang Lu

Zhang Lü (Chinese: 张律; pinyin: Zhāng Lǜ; Korean: 장률; born May 30, 1962; Yanbian, Jilin) is a Chinese-Korean filmmaker. Zhang was originally a novelist before embarking on a career in cinema. His arthouse films have mostly focused on the disenfranchised, particularly ethnic Koreans living in China; these include Grain in Ear (2006), Desert Dream (2007), Dooman River (2011), Scenery (2013), and Gyeongju (2014). Zhang Lü is a third-generation ethnic Korean born in Yanbian, Jilin, China in 1962. He first became known in his native land China as a respected author of novels and short stories, such as Cicada Chirping Afternoon (1986). Zhang moved to South Korea in 2012, and began teaching at Yonsei University. Zhang was then a 38-year-old professor of Chinese Literature at Yanbian University when an argument with a film director friend led him to take a bet that "anyone can make a film." With no technical training but with the support of film industry friends such as Lee Chang-dong, he set out to direct his first short film Eleven (2001), a fourteen-minute nearly silent vignette of an eleven-year-old boy's encounter with a group of soccer players his own age set in a post-industrial wasteland. Eleven was invited to compete at the 58th Venice International Film Festival and several other international film festivals, and this unexpected success made Zhang decide to become a full-time filmmaker.
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