Magino Village: A Tale

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The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

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Writers

Hiroo Fuseya

Producers

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Budget

$0

Revenue

01-12-1987

Release Date

JP

Country

6.2

Rating

5

Votes

-

Age Rating

222 min

Runtime

Released

Status

Japanese

Language

Popular actors
Media

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Director
Shinsuke Ogawa

Shinsuke Ogawa

Shinsuke Ogawa (小川紳介, Ogawa Shinsuke) (25 June 1935 - 7 February 1992) was a Japanese documentary film director. Ogawa and Noriaki Tsuchimoto have been called the "two figures [that] tower over the landscape of Japanese documentary." Ogawa began his career at Iwanami Productions (Iwanami Eiga) making PR (public relations) films alongside other important directors such as Tsuchimoto, Kazuo Kuroki, Yōichi Higashi, and Susumu Hani. Turning independent, he first made documentaries about radical political movements in 1960s and 1970s Japan, most famously the "Sanrizuka" or "Narita" series, which recorded the struggle by farmers and student protesters to prevent the construction of the Narita International Airport in Sanrizuka, Chiba Prefecture. He won the Directors Guild of Japan New Directors Award for Summer in Narita in 1970. Ogawa's was a committed form of documentary, which clearly took the side of those combatting unjust power. A growing sense that he did not understand the life of the farmers he was filming, however, led Ogawa and his crew, collectively called Ogawa Productions, to leave for Magino in Yamagata Prefecture where they spent decades filming the life and histories of everyday farmers while living with them and pursuing agriculture. He often worked with the cinematographer Masaki Tamura. The "Magino" films became the epitome of Ogawa's stance towards documentary: that one can only record a reality that one has been truly immersed in. Ogawa was influential in the creation of the Yamagata International Documentary Film Festival, where the top prize in the Asia program was named after him. The film Devotion by Barbara Hammer is about Ogawa Productions.
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