Modern Sculptors

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The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

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Writers

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Producers

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Budget

$0

Revenue

31-01-1908

Release Date

FR

Country

6.4

Rating

7

Votes

-

Age Rating

6 min

Runtime

Released

Status

No Language

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Director
Segundo de Chomón

Segundo de Chomón

Segundo de Chomón became involved in film through his wife, who was an actress in Pathé films. In 1902, he became a concessionary for Pathé in Barcelona, distributing its products in Spanish-speaking countries and managing a factory for the coloring of Pathé films. He began shooting footage of Spanish locations for the company; then, in 1905, he moved to Paris where he became a trick film specialist. The body of work he created over five years was outstanding. De Chomón created fantastical narratives embellished with ingenious effects, gorgeous color, innovative hand-drawn, and puppet animation; tricks of the eye that surprise and delight, and startling turns of surreal imagination. De Chomón carried on as a filmmaker, specializing in trick effects, working for Pathé, Itala and others.
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