Mournful Unconcern

4.6

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The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

$0

Budget

$0

Revenue

01-02-1987

Release Date

SU

Country

4.6

Rating

12

Votes

-

Age Rating

110 min

Runtime

Released

Status

Russian

Language

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Director
Aleksandr Sokurov

Aleksandr Sokurov

Aleksandr Sokurov (born June 14, 1951) is a Russian director of avant-garde and independent films that have won him international acclaim. Described as a heir to Tarkovsky, spare, gloomy and contemplative, he often blurs lines between image and world. His noticable trademark and style includes long, accurate shots of real painterly compositions, disorted field of view, zooms and use of wide angle lenses. Often plotless with emphasis on aesthetics and impressionism his films are noted for philosophical approach to history and nature. Sokurov underlines the importance of film, not to yield to the modern audience laziness, and to stay away from mere entertainment. His most significant works include a feature film, Russian Ark (2002), filmed in a single unedited shot, Mother and Son (1997) and Faust (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival.
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