Münchener Bilderbogen: Pierette Nr. 1

0.0

no information on the tagline

What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.

No information

Writers

No information

Producers

$0

Budget

$0

Revenue

01-01-1924

Release Date

DE

Country

-

Rating

-

Votes

-

Age Rating

8 min

Runtime

Released

Status

German

Language

Popular actors
Media

View all media:

All Media

Нет информации по фоновой картинке

Медиа изображениеМедиа изображениеМедиа изображение
Director
Oskar Fischinger

Oskar Fischinger

Oskar Wilhelm Fischinger (22 June 1900 – 31 January 1967) was a German-American abstract animator, filmmaker, and painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. He created special effects for Fritz Lang's 1929 Woman In The Moon, one of the first sci-fi rocket movies. He made over 50 short films, and painted around 800 canvases, many of which are in museums, galleries and collections worldwide. Among his film works is Motion Painting No. 1 (1947), which is now listed on the National Film Registry of the U.S. Library of Congress. Description above from the Wikipedia article Oskar Fischinger, licensed under CC-BY-SA, full list of contributors on Wikipedia.​
Related Movies

You might like it

There are no recommended films yet.