Oblivion

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2.0

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“Approximately thirty images comprise Oblivion. Most obsessively repeat themselves. Although the images appear to be solarized, the film was actually contact-printed, combining high contrast black and white negative with a colour positive of the same image. The high contrast accounts for the tendency of shots to flood. Images in the film swell and contrast, often disappearing into pure colour… Oblivion employs extremely rapid cutting. Some of the images last as briefly as two frames. The fact that we see so few frames, that a shot is representationally ambiguous, or shown upside down and sideways, often causes the viewer to project his/her own fantasies… When Jean Genet was asked to what end he was directing his life he responded, “To oblivion.” (J.J. Murphy, “Reaching for Oblivion”) (mikehoolboom.com)

Tom Chomont

Director

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01-01-1969

Release Date

US

Country

2

Rating

1

Votes

-

Age Rating

6 min

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Director
Tom Chomont

Tom Chomont

Tom Chomont was a prominent figure of the New York underground film world, and made films for over 40 years. Tom Chomont was a longtime HIV and Parkinson’s Disease survivor and sadly died on June 28, 2010. “Tom Chomont’s films are at once highly poetic and carefully controlled personal statements, and so private both in form and subject matter that they become almost hermetic…the instability of human existence, the poles of all -encompassing imagination on the one hand and nothingness and death on the other, are the notions underlying these works.” – Fred Camper From 1962 through 1989, Tom Chomont made over 40 films. All but two of his films are silent and all are short, ranging from less than 1 minute to 16 minutes. Perhaps, the subtitle of his film Phases of the Moon best characterizes his film work: The Parapsychology of Everyday Life. His films, often portraits of friends, are a lyric evocation of the ordinary world, but at the same time they bear witness to an unabashedly spiritual and sexual parallel universe. His incomparable technique of offsetting color positive and high contrast black and white negative creates a subtly beautiful and richly evocative, otherworldly aura. Since 1990, he has worked exclusively in video. The videos are hard-edged and raw. While many center around explicit s&m imagery, they go beyond the performative aspects of sadomasochistic practice and become an entrée to a transcendent and philosophical other world.
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