Otoko no iki

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This was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.

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Budget

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Revenue

09-07-1942

Release Date

JP

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Rating

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Age Rating

77 min

Runtime

Released

Status

Japanese

Language

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Director
Noboru Nakamura

Noboru Nakamura

Noboru Nakamura (中村登, Nakamura Noboru, 4 August 1913 – 20 May 1981) was a Japanese film director and screenwriter. After graduating from the Tokyo Imperial University Faculty of Letters in 1936, Nakamura joined the Shochiku film studios, working as an assistant director for Torajirō Saitō and Yasujirō Shimazu. He debuted as director in 1941 with Life and Rhythm, and finally received recognition with his 1951 film Home Sweet Home. His most noted works include the Yasunari Kawabata adaptation Twin Sisters of Kyoto (1963), The Kii River (1966) and Portrait of Chieko (1967). Both Twin Sisters of Kyoto and Portrait of Chieko were nominated for the Academy Award for Best Foreign Language Film Nakamura was posthumously awarded the Order of the Rising Sun, 4th class.
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