Para la Coca

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The coca plant is one of the world’s most controversial plants. In the West, it is primarily associated with the recreational drug cocaine, which was first produced in Europe in the nineteenth century and has given rise to a violent system of drug trade and abuse. The plant’s healing and stimulating properties have endowed it with cultural and spiritual significance for the indigenous population of the Andes region, yet this fact has gone rarely mentioned in history books, pointing to the Western hegemony of knowledge among other factors. Since 2018, Colombian filmmaker Laura Huertas Millán has examined the coca plant in her work.

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07-02-2023

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US

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30 min

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Director
Laura Huertas Millán

Laura Huertas Millán

Laura Huertas Millan is a French-Colombian filmmaker and visual artist, whose practise stands at the intersection between cinema, contemporary art and research. Selected in cinema festivals such as the Berlinale, Toronto International Film Festival (TIFF), Rotterdam International Film Festival, New York Film Festival and Cinéma du Réel, her films have earn prizes at the Locarno Film Festival, FIDMarseille, Doclisboa and Videobrasil, among others. More than twenty retrospectives and focus of her work have been organised around the globe, in cinematheques such as Toronto ́s TIFF Lightbox, Harvard ́s Film Archive or Bogota ́s cinematheque, and leading film festivals as Mar del Plata and Rencontres du Documentaire de Montreal. In the art field, her latest solo exhibitions were held at the MASP Sao Paulo, Maison des Arts de Malakoff and Medellin ́s Modern Art Museum. Her films have also been exhibited and screened in art institutions (Centre Pompidou Paris, Jeu de Paume, Guggenheim Museum NY, Times Art Berlin) and biennials (Liverpool, FRONT Triennial, Videobrasil, Videonnale). They are part of private and public collections (Kadist, CNAP, Banco de la República de Colombia, CIFO, FRAC Lorraine, and others). Huertas Millan holds a practise-based PhD on “Ethnographic Fictions” developed between PSL University (SACRe program) and the Sensory Ethnography Lab (Harvard University). She works as an educator in academic and alternative spaces. Since 2019, Huertas Millan is part of a research-based duo with curator and writer Rachael Rakes on critical anthropology and the aesthetics and politics of the encounter.
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