Rider on a Dead Horse

4.0

DEAD MAN'S TREASURE AND A WANTED MAN! Greed for gold was the lure...a gold-skinned woman was the trap!

Three prospectors divide and bury their gold to safeguard it from warring Apaches. Cue a series of double crosses, triple crosses, chases, and shoot-outs as greed drives the three men to murder and betrayal.

$0

Budget

$0

Revenue

27-05-1962

Release Date

US

Country

4

Rating

5

Votes

-

Age Rating

72 min

Runtime

Released

Status

English

Language

Popular actors
Media

View all media:

All Media

Нет информации по фоновой картинке

Медиа изображениеМедиа изображениеМедиа изображение
Director
Herbert L. Strock

Herbert L. Strock

Herbert L. Strock (January 13, 1918 - November 30, 2005) was an American television producer and director, and a B-movie director of titles such as I Was a Teenage Frankenstein (1957), How to Make a Monster (1958) and The Crawling Hand (1963). Strock was born in Boston, and moved with his family to Los Angeles when he was 13. By 17, while a student at Beverly Hills High School, Strock was director of gossip columnist Jimmy Fidler's Hollywood segments for Fox Movietone News. Strock graduated in 1941 from USC, where he studied journalism and film. During World War II, he served in the Army's Ordnance Motion Picture Division. He was assistant editor on the 1944 film Gaslight for MGM. In a "pioneering" television career that began in the 1940s, Strock was involved with many television series including Highway Patrol, Sky King, Sea Hunt and Maverick. Other directorial efforts included Blood of Dracula (a 1957 film in which a disturbed teenage girl at a boarding school becomes a vampire through hypnosis) and Ivan Tors' "Office of Scientific Investigation" trilogy, which included The Magnetic Monster, Riders to the Stars and Gog, shot in 3-D. In 2000, Strock published a memoir, Picture Perfect. Description above from the Wikipedia article Herbert L. Strock, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Related Movies

There are no similar films yet.

You might like it