Robin Hood, O Trapalhão da Floresta

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The Robin Hood from the movie The Trapalhões and his pack ruin the plans of a farmer named João Climério. He wanted to take the lands of his deceased brother and leave his niece Catherine with nothing. During a showdown, Robin Hood is injured and needs to be replaced at the helm of the group. And then the funny confusions begin! As a substitute is chosen Zé Grilo, a modest and at the same time confused pawn, who in the end manages to unmask Climero and save the beautiful Catherine for which he has a passion. In this mission it is aided by the companion Willie and also by a magic wand and a protective pen, provided by an Indian sorcerer.

$0

Budget

$0

Revenue

01-01-1974

Release Date

BR

Country

4.4

Rating

9

Votes

-

Age Rating

78 min

Runtime

Released

Status

Portuguese

Language

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Director
J.B. Tanko

J.B. Tanko

Josip Bogoslaw Tanko (April 21, 1906 – October 5, 1993) was a Croat filmmaker who directed O Trapalhão nas Minas do Rei Salomão, one of the biggest cinematic hits in Brazil of all time. He also founded JBTV - J. B. Tanko Filmes Ltda. Josip Bogoslaw Tanko was born on April 21, 1906, in the Croatian city of Sisak. He was passionate about cinema from childhood. In the 1930s, he started working at Sascha-Filmindustrie AG and Wlen-Film GmbH in Vienna, Austria creating Yugoslavian versions of German and Austrian films. He also worked at Tobis Filmkunst, Terra Filmkunst, and UFA in Berlin as an assistant director, participating as part of a team in the 1937 Wien-Film, created by Goebbels. At the beginning of World War II, Tanko took over the Army Documentary Film Department in Belgrade. Tanko filmed the bombing of Belgrade when Yugoslavia was invaded by Germany, fleeing to Berlin with the film. In 1942, Tanko returned to Vienna.; however, having lost his entire family during the war, he decided to emigrate to Brazil. In 1948, Tanko took up residence in the city of Rio de Janeiro, contributing to the professionalization of Brazilian cinema with his diverse experience. His first work was in Cinelândia Filmes, as assistant director and screenwriter of A Escrava Isaura, an adaptation of Bernardo Guimarães' novel. Without leaving Cinelandia, he also began to work in the Cinematographic Atlântida, where he played several roles, ultimately becoming a director. Having made some dramas that were not successful with the audience, he turned to comedies (chanchadas).
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