Rouge Tears

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This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

Yonggang Wu

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Budget

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Revenue

01-01-1938

Release Date

CNHK

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Rating

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Age Rating

114 min

Runtime

Released

Status

Mandarin

Language

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Director
Yonggang Wu

Yonggang Wu

Wu Yonggang was born in Shanghai in 1907, but was considered a native of his ancestral home Wu County, Jiangsu in Chinese convention. Wu Yonggang was one of the major leftist film directors of pre-Communist China. For the early part of his career, Wu was a set designer with Dazhonghua Baihe, before transferring to the Shaw Brothers' Tianyi Film Company. He was eventually noticed by Shi Dongshan at the newly formed Lianhua Film Company. His first film from the director's chair, 1934's The Goddess (under contract with Lianhua), earned both him and the film's star, Ruan Lingyu, rave reviews. A prolific director, Wu continued to make films well into the 1970s until his retirement shortly before his death including Evening Rain (co-directed with Wu Yigong) which won Best Picture at the first annual Golden Rooster Awards. Acclaimed director Chen Kaige referred to Wu Yonggang as one of his most admired directors, and named The Goddess as his favorite film of the 1930s.
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