Save and Protect

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Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body.

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Budget

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Revenue

05-09-1990

Release Date

SU

Country

5

Rating

16

Votes

-

Age Rating

168 min

Runtime

Released

Status

Russian

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Director
Aleksandr Sokurov

Aleksandr Sokurov

Aleksandr Sokurov (born June 14, 1951) is a Russian director of avant-garde and independent films that have won him international acclaim. Described as a heir to Tarkovsky, spare, gloomy and contemplative, he often blurs lines between image and world. His noticable trademark and style includes long, accurate shots of real painterly compositions, disorted field of view, zooms and use of wide angle lenses. Often plotless with emphasis on aesthetics and impressionism his films are noted for philosophical approach to history and nature. Sokurov underlines the importance of film, not to yield to the modern audience laziness, and to stay away from mere entertainment. His most significant works include a feature film, Russian Ark (2002), filmed in a single unedited shot, Mother and Son (1997) and Faust (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival.
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