Sida propos (ou Paroles d'appelés)

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In the context of the World Aids Day on the 1st December 1994, the French Ministry of Defence commissioned the producer Raymond DEPARDON to make a film to show to all new French military recruits called up for their national service, in which they gave their 'personal' views on the AIDS (Sida) problem. Each year about 240.000 young men are called to do their military service in the French Armed Forces. They remain in bases both in France and in French overseas territories, the film will be projected throughout these multiple installations. The 'on camera" interviews by Depardon were authorised without any form of restriction by the military authorities, selecting a scattering of young men from all walks of life who will spend 10 months under the flag. They were each free to give their own personal opinions related to the Aids problem, without any form of censorship.

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Writers

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Producers

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Budget

$0

Revenue

01-12-1994

Release Date

FR

Country

5

Rating

1

Votes

-

Age Rating

30 min

Runtime

Released

Status

French

Language

Popular actors
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Director
Raymond Depardon

Raymond Depardon

Raymond Depardon is a photographer, a journalist and a filmmaker, but, above all, his eyes view humans with compassion. He respects others and is kind with the reality of their lives. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard's Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 'not for money but for the freedom'. He suggested to set up a cinema department: 'we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs... It was then that I learned to hold the camera." When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world's miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allow his pictures to speak for themselves. His films are now screened in all international film festivals, from Cannes to Hong Kong.
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