Tahu Diri Dong

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The quasi-skilled Kasino tries to install an abstract painting on the wall of Mr. Us Us’ house where he stays. The plaster wall is damaged. Afraid of Mr. Us Us’ wrath, Kasino, Dono, Indro, Marina, and Anita try to lie to Mr. Us Us but he finds out. They are scolded and ordered to repair the wall at once. The comedy continues with the arrival of Dono’s grandfather from the village. Dono has lied to his grandfather that he has become a doctor, but the latter knows his bad habits. Then Anita wants to test her boyfriend’s love, and asks Dono to pretend to be her boyfriend during a party. Unfortunately, Dono’s silly acts annoy Anita. When Indro’s food recipe is entered for a competition, which allows only women, Dono is forced to dress like a woman. Dono wins the competition but the prize is anulled once Dono’s identity is discovered. Dono protests by asking to take home the competition food. The committee refuses and a cake-throwing war ensues.

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14-08-1984

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89 min

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Status

Indonesian

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Director
Arizal

Arizal

Arizal (born in Airmolek, Indragiri, Riau on January 11, 1943 - died on May 18, 2014) was a prominent Indonesian film director. His parents, Ibrahim Sidi Mangkuto and Matayam bt M. Yasin, were of Minangkabau descent. He studied at the Faculty of Economics, University of Indonesia. Arizal was one of Indonesia's most productive film directors and script writers. He directed 52 films and 8 soap operas (sinetron) with 1,196 episodes between 1974 and 2006. He directed the comedy film series of Warkop DKI. In the 1980s, his work brought success to Yessy Gusman, Rano Karno, Yenny Rachman, Roy Marten and Lydia Kandou as famous artists. Arizal's best known films are Gita Cinta dari SMA (1979), Pintar-pintar Bodoh (1980) and Maju Kena Mundur Kena (1983), which achieved the highest audience in that year. Gita Cinta dari SMA was selected as one of the 25 best Indonesian films.
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