Tales from the Crypt: The Robert Zemeckis Collection

From Forrest Gump's 1994 Academy Award Winning Director

In "All Through the Night," perhaps the single most famous story from the original comic book series, a psychotic killer dressed as Santa escapes Christmas Eve and terrorizes a middle-class home where murder has already made a holiday appearance: a homicidal wife plunges a fireplace poker into her husband's skull. (It was also adapted in the 1972 British anthology movie Tales from the Crypt). Kirk Douglas stars as a blood-and-thunder World War I general who discovers his son is a coward in the grim "Yellow," the most dramatically acute of the trio. Digital magic morphs Humphrey Bogart into "You, Murderer," a high-concept, rather gimmicky tale of murder, double crosses, and poetic justice as seen through a dead man's eyes. Isabella Rossellini (daughter of Bogie's Casablanca costar Ingrid Bergman) and John Lithgow costar as plotting lovers.

$0

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$0

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07-09-1999

Release Date

US

Country

8.7

Rating

3

Votes

-

Age Rating

87 min

Runtime

Released

Status

English

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Director
Robert Zemeckis

Robert Zemeckis

Robert Lee Zemeckis (born May 14, 1951) is an American film director, producer and screenwriter. Zemeckis first came to public attention in the 1980s as the director of the comedic time-travel Back to the Future film series, as well as the Academy Award-winning live-action/animation epic Who Framed Roger Rabbit (1988), though in the 1990s he diversified into more dramatic fare, including 1994's Forrest Gump, for which he won an Academy Award for Best Director. His films are characterized by an interest in state-of-the-art special effects, including the early use of match moving in Back to the Future Part II (1989) and the pioneering performance capture techniques seen in The Polar Express (2004), Beowulf (2007) and A Christmas Carol (2009). Though Zemeckis has often been pigeonholed as a director interested only in effects, his work has been defended by several critics, including David Thomson, who wrote that "No other contemporary director has used special effects to more dramatic and narrative purpose."
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