The Broken Locket

3.5

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George Peabody is a young man who has been giving free rein to his inclinations, the principal one being drink. One might have concluded he was lost, but there was the chance which the hand of Providence always bestows in the person of pretty little Ruth King, who had secretly loved George since their childhood days. She succeeds in persuading him from his reckless life, and he determines to cut off from his old loose companions by going out West and making a man of himself. Bidding Ruth and her mother good-bye, he realizes that he loves his little preserver and promises to return worthy of her love and confidence. They plight their troth with their first kiss and a heart shaped locket, which Ruth wears, she breaking it in two, giving George one side while she retains the other, which symbolized the reunion of their hearts with his return.

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16-09-1909

Release Date

US

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3.5

Rating

3

Votes

-

Age Rating

13 min

Runtime

Released

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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