The Call to Arms

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A Feudal Lord and his bride were visited by their cousin at a time when this Lord was presenting to his bride the family heirloom the Great Ruby of Irskaat. The cousin coveted it, and was determined to secure it. The Lord receives a call to arms and appreciating the danger of leaving this valuable jewel unguarded, buries it in a secluded part of the grounds. His soldiers now assembled, he departs, leaving his wife to the care of his trusted servants. No sooner had he left than the cousin returns with the subterfuge that he will stay at the palace guarding the wife until the Lord's return. This the wife appreciates, believing his tender well meant. Surreptitiously he rids the palace of the servants, placing his own in their stead. The poor woman is now in the absolute power of this despicable villain.

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25-07-1910

Release Date

US

Country

4

Rating

1

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Age Rating

17 min

Runtime

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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