The Cord of Life

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Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

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Budget

$0

Revenue

28-01-1909

Release Date

US

Country

3.5

Rating

4

Votes

-

Age Rating

9 min

Runtime

Released

Status

-

Language

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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