The Dam

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In The Dam, although it is an experimental film, Kristl eschews the necessary earnestness in addressing his subject. The manufactured, unambiguously humorless profundity proffered up by other German contemporaries is absent here. Laughter is allowed. Kristl takes the dreadful liberty of tomfoolery, sending up himself, the characters, the action, "tragedy," and everything else, including the audience, that might be held sacred. Within the framework of the action, we recognize a love triangle, one of the simplest of dramatic configurations. Not only the basic idea, but also numerous particulars, both in subject and style, are reminiscent of the films of Roman Polanski, which Kristl doubtless saw and holds in esteem. We meet two men: one is meant to embody the outsider, the artistic, intellectual, individualist. The other looks like the embodiment of the well-to-do man, the burgher, the functionary, the capitalist. The two battle for the favor of an indecisive and domineering girl.

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01-01-1964

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DE

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77 min

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German

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Director
Vlado Kristl

Vlado Kristl

Vladislav "Vlado" Kristl (24 January 1923, Zagreb, Croatia – 7 July 2004, Munich, Germany) was a filmmaker and artist, best known for his animations and short films. Vladislav "Vlado" Kristl was born 24 January 1923 in Zagreb, Croatia.[citation needed] Kristl first came to international prominence for his formally challenging and rigorous animations, particularly Don Kihot (freely inspired by Cervantes' Don Quixote). The film is a "graphical and abstract masterpiece which went beyond all existing conventions" and was awarded the main prize at the Oberhausen International Short Film Festival. Kristl regarded this film, which was not his first, as the one where he "was finally given a free rein". In 1962 Kristl made General i resni clovek (The General and the real man), a satirical live action short film which got him into trouble with the board of censors. He died in 2004, aged 81, in Munich, Germany. With his partner Jelena he had two children, Madeleine (b. 1966) and Pepe Stephan (b. 1968). He published two books of poetry: Neznatna lirika (Insignificant lyrics, 1959), and Pet bijelih stepenica (Five white steps, 1961) in Croatian, and several books in German.
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