The Diaries

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"The Diaries is a split screen movie. It has two projectors running at once, at least for most of the film. I was influenced here by Warren Sonbert’s later films. What Warren did was something that infuriated everybody that knew him, and in fact still infuriates people today. He made early films like The Bad and the Beautiful (1967) and the Tenth Legion (1967), and then he would re-edit them into other films later. But he wouldn’t preserve any copies of the originals, which would then cease to exist. I did the same thing. The Diaries was an attempt to reshape material that’s in my early films; I decided to go into the cutting room and just put the stuff together. It’s really all of the key moments, I think, from all of the films that I no longer felt were individual entities or didn’t deserve to be, or weren’t strong enough, compiled into two reels. I edited it around 1976. It’s really an evocation of all of my experiences in life up until that period." - WWD

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01-01-1986

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US

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30 min

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Director
Wheeler Dixon

Wheeler Dixon

Wheeler Winston Dixon (born March 12, 1950) is an American filmmaker and scholar. He is an expert on film history, theory and criticism. His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films. He has written extensively on numerous aspects of film, including his books A Short History of Film and A History of Horror. From 1999 through the end of 2014, he was co-editor of the Quarterly Review of Film and Video. He is regarded as a top reviewer of films. In addition, he is notable as an experimental American filmmaker with films made over several decades, and theMuseum of Modern Art exhibited his works in 2003. He taught at Rutgers University, The New School in New York, the University of Amsterdam in the Netherlands, and is currently the Ryan professor of film studies and English at the University of Nebraska in Lincoln.
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