The Face on the Barroom Floor

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As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.

$0

Budget

$0

Revenue

01-01-1923

Release Date

US

Country

5

Rating

1

Votes

-

Age Rating

60 min

Runtime

Released

Status

-

Language

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Director
John Ford

John Ford

John Ford (February 1, 1894 – August 31, 1973) was an American film director. He was famous for both his westerns such as Stagecoach (1939), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), and adaptations of such classic 20th-century American novels as The Grapes of Wrath (1940). His four Academy Awards for Best Director (1935, 1940, 1941, 1952) is a record, and one of those films, How Green Was My Valley (1941), also won Best Picture. In a career that spanned more than 50 years, Ford directed more than 140 films (although nearly all of his silent films are now lost) and he is widely regarded as one of the most important and influential filmmakers of his generation. Ford's films and personality were held in high regard by his colleagues, with Ingmar Bergman and Orson Welles among those who have named him as one of the greatest directors of all time. In particular, Ford was a pioneer of location shooting and the long shot which frames his characters against a vast, harsh and rugged natural terrain.
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