The Hindoo Dagger

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Jack Windom experiences a sensation of awe at the reception of the Hindoo dagger from his old chum, Tom, who was traveling in India. Hanging the dagger on the wall. Jack goes out. For some time Jack has discerned a coolness in his wife, and his jealous misgivings were verified when he returned and found her in company with a stranger. Seizing the dagger from the wall he chases the recreant lover from the house and then follows the wife to the bathroom, wither she has flown in terror. Mercilessly he plunges the dagger and flies the place. The lover in hiding sees him leave and returns, and calling aid succeeds in reviving the wife, who afterwards with careful treatment recovers and marries her paramour. However, either from the baneful influence of this diabolical dagger, or the woman's capricious nature, just one year later the second husband enacts the same scene, but with fatal results.

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18-02-1909

Release Date

US

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2

Rating

1

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10 min

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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