The Iconoclast

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A printer, drinking excessively and neglectful of his family obligations, is fired from his job when he offends his wealthy employer and his employer’s guests as they tour the printworks. Seeking revenge, the dismissed employee enters his former employer’s house with the intention of shooting him. There he sees the employer and his severely disabled daughter, and recognizes the strong emotional bond between father and daughter. This convincing demonstration of affection brings the printer to his senses. He asks pardon, is reinstated in his old job, and becomes a model worker, husband, and father.

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03-10-1910

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US

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17 min

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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