The Italian Barber

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Tony, the barber, on his way to the shop meets little Alice, the newsgirl, who runs a stand on a neighboring corner. He at once becomes smitten and can think of nothing else. Later they are betrothed and little Alice fancies she has made a good catch. However, clouds gather when Alice's sister Florence, who is a vaudeville artist, returns from her road tour with her sketch partner Bobby Mack, for the moment Tony sees Florence he transfers his affections to her. Poor Alice becomes aware of the waning of Tony's love for her and the heavy blow falls when on the night of the Barbers' Ball Tony escorts Florence thither. Alice being excessively romantic reasons that life without Tony is impossible so she is about to emulate the heroine of a novel she has been reading by terminating her unendurable existence with a pistol when Mack enters. The bullet she intended for her own lovelorn head passes through Mack's hat, scaring him stiff.

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Budget

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Revenue

09-01-1911

Release Date

US

Country

4

Rating

1

Votes

-

Age Rating

17 min

Runtime

Released

Status

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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