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6.5

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A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

$0

Budget

$0

Revenue

01-02-1992

Release Date

IR

Country

6.5

Rating

8

Votes

-

Age Rating

90 min

Runtime

Released

Status

Persian

Language

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Director
Bahram Beyzai

Bahram Beyzai

Bahrām Beyzāie (also spelt Beizai, Beyza'i, Persian: بهرام بیضائی‎, born 26 December 1938) is a critically and popularly acclaimed filmmaker, playwright, theater director, screenwriter, film editor, and ostād ("master") of Persian letters, arts and Iranian studies. Bahram Beyzaie is the son of the poet Ne'matallah Beyzai (best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, known as one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets. In spite of his somewhat belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the Iranian New Wave. His Bashu, the Little Stranger (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine Picture World poll of 150 Iranian critics and professionals.[5] Still, even before the outset of his cinematic career in 1970, he was a leading playwright (as well as theater historian), so much so that he is often considered the greatest playwright of the Persian language, and holds a reputation as "the Shakespeare of Persia.
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