Twin Brothers

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Two boys, twins, leave the old homestead to seek their fortune in the world. They go divergent roads, and are soon widely separated one from the other, but they grow lonesome and try to find each other's whereabouts, without success. We lose sight of Bill and Dick is seen up against it good and hard. For him the future looks like a chalk ring on a blackboard, until he happens to saunter along the Bowery, where the manager of a dime museum offers him a job to play the gorilla. It looks good so he accepts. It is pretty sort until the astute impresario decides to pull off an innovation: that is, a gorilla and lion in the same cage. Of course Dick objects most strenuously to this arrangement, but his objections are quailed with a treacherous looking run, so he is forced to share the same menagerie hallroom with the lion.

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Writers

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Producers

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Budget

$0

Revenue

25-04-1909

Release Date

US

Country

5

Rating

2

Votes

-

Age Rating

5 min

Runtime

Released

Status

English, No Language

Language

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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