Unexpected Help

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John Bradley is a trusted clerk with an oil company. Enjoying a fair salary, he is comfortably fixed in a modest little village home with his wife and two small children. Starting from home in the morning he is accompanied by the two little ones, who always looked forward to each morning's scamper in the hills with pleasurable anticipation. He is met at the office door by the manager and handed a large sum of money with instructions to carry it to the bank. This is witnessed by a well-known gambler of the town, who being in hard link, resolves to get that money by hook or crook. Making a short cut across the little town, he manages to intercept John on his way to the bank, and in the course of their conversation invites him to have a drink, as it is half an hour before the bank opens. The invitation is accepted and while in the saloon the gambler tries to inveigle John into a game, but here his will serves him and he resists the fascination.

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28-07-1910

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US

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8 min

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Director
D.W. Griffith

D.W. Griffith

David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
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