Vampire Killer Barbys

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While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus and presents himself as her secretary Arkan. Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia, Rafa and Mario accept the invitation but Billy and Sharon stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty.

$0

Budget

$0

Revenue

22-05-1996

Release Date

ES

Country

4.4

Rating

24

Votes

-

Age Rating

87 min

Runtime

Released

Status

English, Spanish

Language

Popular actors
Media

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Director
Jesús Franco

Jesús Franco

Jesús "Jess" Franco was a Spanish film director, writer, cinematographer and actor. His career took off in 1961 with his cult classic The Awful Dr. Orloff, which received wide distribution in the United States and England. Though he had some American box office success with Necronomicon, his first women-in-prison film Ninety-Nine Women, and his two Christopher Lee films, The Bloody Judge and Count Dracula, he never achieved wide commercial success. Franco moved from Spain to France in 1970 so that he could make more violent and sexual films, and it was at this point that his career began to go downhill commercially, as he turned to low-budget filmmaking with a heavier accent on adult-oriented films. Although he produced a few well-received, low budget horror films in the early 70's, many people in the industry considered him a porn director due to the huge number of X-rated adult films he began churning out. Franco returned to low-budget horror in a brief comeback period from 1980-1983, but after 1983, his career took a second downturn. With the exception of Faceless and Killer Barbies, his films after 1984 are quite disliked and obscure due to their incredibly low budgets. Franco has nevertheless retained a large cult following through the years with his sexually-charged horror films, some of which are regarded as masterpieces by his avid followers.
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