Waiting for Alan

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WAITING FOR ALAN is about a woman whose marriage is dead. Trapped in the rich but sterile environment of a lavishly appointed country house, MARCIA is a microcosm of society – a victim of, and partner in, someone else's routine. It’s not the housework or the cooking (MRS BETTS looks after those), but the daily monotony of waiting for ALAN – her newspaper-reading, TV watching husband. To him, she's just the emotional central heating switched on and off in return for paying the bills and expected to operate as smoothly and regularly as the washing-up machine or the gardener. But MARCIA has waited long enough… WAITING FOR ALAN is a humorous but critical 'tale of the unexpected' (and expected) in classical, three-movement sonata form. It was screened at least twice on Channel Four television in the late eighties and both times received a very positive audience response as well as praise from weekly pre-viewers in the newspapers

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02-01-1984

Release Date

GB

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42 min

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English

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Director
Richard Woolley

Richard Woolley

Richard Woolley began making films at King's College London. After three years at the Royal College of Art, where Structuralism ruled the roost, he spent two years in Berlin – and a further three in the UK – developing his own fusion of formalist experiment, clear social statement and audience accessibility. In the eighties, his feature film Brothers and Sisters was well received by critics and viewers alike and his two subsequent films in that decade both sold well. In the nineties, he gave up directing – an activity he found exhausting in the extreme! – to concentrate on scripting. Since then, he has combined completion of screenplay commissions with the running of Film & TV schools around the world and, more recently, with being a university professor. Novels include Stranger Love, Sekabo and Sad-eyed Lady of the Lowlands.
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